VNS Matrix within the context of an emerging history of women-only collectivism and collaboration in Australia. These include: interrogating the cliche of the lone, white, male artist; and interest in separatism and the production of autonomous spaces; a commitment to operating outside the boundaries of the established art-world; the desire to learn, acquire and share skills; and the pursuit of community engagement. This paper will engage with the history and theory of collectivism and collaboration by exploring VNS Matrix in three parts, there are collective production, disruptive content, and unusual distribution of their confrontational yet highly enjoyable practice.
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VNS Matrix Collaboration
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